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Against a field of swaying and halting yellow vegetation, another processed field: the image of the eponymous subject (performed by painter Doris Cross) riles and emits unintelligibly to the viewer. Conjuring the mystical biblical character Lilith, Steina's video layers both sound and image to produce an ever-shifting, frustrated presence....

Garbiñe Ortega, Artistic Director of Punto de Vista, came up with the idea of creating a collective audiovisual project in which several filmmakers would make a filmed letter addressed to another filmmaker they did not know personally and who was as far as possible from their own cinema. This is how THE LETTERS THAT WEREN'T AND ALSO ARE was born. The result is an exciting journey through their affinities, their admiration and their creative processes....

The motif of this movie is an introduction manual for filming sent to an absolute beginner by the processing laboratory. For me, the cause of failure in filmmaking, explained by the manual, was the very important technical skill of making film images. It’s like coming across unknown delicious tastes when I don’t follow the recipe....

Stylised, bloody and intimate tour of a young woman’s destructive thought patterns and a radical reconsidering of the idea of the suffering artist....

PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy....

Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s....

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso....

Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity....

A film accompaniment featuring songs from Perfume Genius' newest record, Ugly Season....

The largest country in the Arab world and a producer of hydrocarbons, Algeria has everything it needs to weigh on the international scene. But Africa's second military power seems undermined by its internal problems. While the Bouteflika regime has fallen and the popular “hirak” movement has shown that the people are ready to enter a more democratic era, the country appears as a colossus with feet of clay, which has failed enhance their independence. How did this isolation come about? From the “dark decade” of terrorism to the fall of Bouteflika, via 9/11 or the Arab revolutions, this documentary sheds light on Algerian foreign policy in recent decades, while deciphering the strategy of Western powers towards it....

Music by Jefre Cantu-Ledesma, 16mm color film by Paul Clipson....

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California....

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation...

A short film by Bryce Hodgson....

The culture of Japan is incredible, from bloom festivals to ultra-modern cities. But there are also more than 130 mammals and 600 bird species dwelling in Japan’s 6,852 islands. This island chain is long enough to span climate zones, providing a huge range of habitat....

The enduring romance of the lines. A visual exploration of Dave Brubeck's jazz classic "Take Five"....

An essay in colour harmonics and visual overtones. Conceived and produced as part of the Images Film Festival's Minute Movies....

Abstract video art set to the music of Philip Glass....

An NTSC space opera....

For the 1977 intermedia exhibition Tangents I, Dammbeck and artist Frieder Heinze had planned a film that would combine non-camera animation with 35mm footage of a train ride through Dresden. When Tangents I was banned Dammbeck continued working on the film by himself. METAMORPHOSES I – the first experimental film to be shown publicly in the GDR – marks the filmic beginning of Dammbeck’s long-term art project the HERAKLES-KONZEPT (HERCULES CONCEPT)....