StraussR: Der Rosenkavalier 2017 streaming

Giuseppe Verdi based his famous opera on the novel “The Lady of the Camellias” by Alexandre Dumas. Robert Wilson’s production of Violetta Valéry’s tragic fate is his first work at the State Theater of Linz, Austria, one of the most modern operatic stages in Europe by architect Terry Pawson. After the run in Linz, the production was transferred to the Opera House in Perm, Russia, where the production was conducted by Teodor Currentzis. In 2017, the work received a “Golden Mask”, the most prestigious Russian theater award, in three categories (Teodor Currentzis, Best Conductor; Nadezhda Pavlova, Best Female Singer; Robert Wilson, Best Lighting Design)....

This excellent Deutsche Grammophon Blu-ray DVD was made during a Metropolitan Opera company performance of “La Fanciulla del West” in December 2010. The performance marked the centenary of the world premiere of the opera at the old Metropolitan Opera in 1910 with Caruso as Ramirrez or Dick Johnson, Emmy Destinn as Minnie, Pasquale Amato as Jack Rance and Arturo Toscanini as the conductor. Puccini helped in the production of the opera and was present in the audience on the night of the premiere....

Internationally acclaimed Chinese film-maker Chen Kaige delivers an opulent staging of the fairy-tale story of Chinese Princess Turandot, who will only marry a prince capable of solving her riddles. With sumptuous costumes and palace sets designed in China, Kaige's production adds a compellingly authentic accent to Puccini's exotic orchestral palette. Zubin Metha and his brilliant Orquestra de la Comunitet Valenciana offer "genuine foreworks of sound" (Wiener Zeitung), Maria Guleghina triumphs as Turandot. Recorded in 2008 at the Palau de les Arts in Valencia. Zubin Mehta (conductor)....

Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts....

Il tabarro is a tale of jealousy and murder between Michele, his young wife Giorgetta and her lover Luigi, set aboard a barge on the Seine. Suor Angelica tells the story of the nun Angelica’s familial loss, sacrifice and suicide. Gianni Schicchi is an opera full of trickery, greed and romance as a family dispute breaks out over a missing will. The Olivier-nominated Royal Opera production featuring a trio of one-act Puccini operas was first performed together on the same bill at Covent Garden in September 2011, and was acclaimed by the Telegraph as "an operatic treat... three hours of gorgeous music that allows big voices to let emotion rip" and by the Evening Standard as "a triumphant vindication of the social awareness and dramatic power of Puccini's triptych". The trio of operas offers a panorama of emotions, with the dark and foreboding Il tabarro and comic Gianni Schicchi bookending a heart-wrenching Suor Angelica....

Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Franco Zeffirelli production of LA TRAVIATA, recorded live at the Teatro Giuseppe Verdi, Februari 2002....

Live performance from Schwetzinger Festspiele, 1988. What sets this IL BARBIERE DI SIVIGLIA apart from all others available is its elegant realism. None of its visuals are the least bit cartoonish or blatantly designed for comedy. Dr. Bartolo’s house is a stark, stern-looking structure of plastered brick with a comfortable yet plain, white-curtained interior, while the costumes are highly realistic 18th century garb in subdued colors. Yet despite its fairly austere appearance the production is delightful, thanks to its performers and staging. The stage business is lively, witty and free of excessive slapstick, and every singer brings his or her character to life, all offering rich, vibrant characterizations that strike a perfect balance between comedy and humanity....

Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline....

AIDA, an Ethiopian princess, is captured and brought into slavery in Egypt. A military commander, Radamès, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Radamès is loved by the Pharaoh's daughter Amneris, although he does not return her feelings. Sonja Frisell’s production captures all the grandeur and excitement of Verdi’s monumental opera, particularly the great triumphal scene where the Egyptian army, led by Radamès (Plácido Domingo), returns victorious from war. Aprile Millo is Aida, the slave girl whose love for Radamès has her squaring off with Amneris (Dolora Zajick), the Egyptian princess who also loves him. Sherrill Milnes is Amonasro, and James Levine leads The Metropolitan Opera Orchestra, Chorus, and Ballet....

This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch....

Glyndebourne's celebrated production of Nikolaus Lehnhoff's Tristan und Isolde is a supremely intelligent achievement; gravely beautiful, haunting and meditative, it is deeply reflective rather than visceral, fortified by Roland Aeschlimann's stunningly effective set, a womb-like space through which the protagonists move like gods. Conductor Jiří Bělohlávek mirrors Lehnhoff's approach in his sophisticated plumbing of the score's depths, with every shift in texture carefully laid bare by an inspired London Philharmonic Orchestra. Nina Stemme's Isolde and Robert Gambill's Tristan, both gloriously lyrical, are matched by superb performances from René Pape as the betrayed and vulnerable King Marke and Bo Skovhus as Kurwenal, deeply touching in his helpless devotion to Tristan. This High Definition recording of a production of uncommon intimacy reveals the opera's music and drama in a new light....

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Three very different people — a quantum physicist, a neuroscientist (Sheetal Sheth), and an FBI agent — find themselves drawn into a spiraling mystery. Confronted with a mysterious car accident, the three must interpret clues that defy common sense. Their collective quest takes them from science to art to music to mysticism in a widening search for answers. After an intense outward chase to satisfy their rational minds, the trio realizes the answers they desire lie buried deep within themselves. As each seeker begins to embrace the true nature of reality, each is rewarded with revelations beyond their wildest imaginings. What they learn leaves them humbled and in awe of the strange and beautiful universe we call home. When everything makes sense, nothing makes sense. This highly philosophical narrative has been applauded by scientists, artists, thinkers, scholars, media, academia, students and audiences from 10 to 80+ years old....

Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics....

Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen....

Live recording from Oper Zurich, 2008, DVD release 2014. Jonas Kaufmann, 'the Prince of Tenors', appears with international star Vesselina Kasarova in Zürich Opera's starkly palpable staging of Bizet's ever-popular Carmen. The production sees Don José (Kaufmann) abandon his teenage attitudes in pursuit of Kasarova's free and independent Carmen - realising too late that his self-control has vanished, along with his youth....

William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score....

Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images....

New tenor star Vittorio Grigolo takes on the title role in Offenbach’s fantastical opera, giving a tour-de-force performance as the tortured poet unlucky in love. He is joined by a trio of leading ladies: Erin Morley sings the mechanical doll Olympia, Hibla Gerzmava is the fragile Antonia, and Christine Rice sings Giulietta, the Venetian courtesan. Bartlett Sher’s colorful production, seen here in its second Live in HD presentation, also stars Thomas Hampson as the sinister Four Villains and Kate Lindsey as Niklausse, Hoffmann’s friend and muse. Yves Abel conducts....

La Sonnambula is an idillic, classical and intense melodramma with an extremely fine, lyrical musicality and tense with pure "canto", suspended between Arcadia and Romanticism. It is a combination of tender and melancholic sentiments and of tragic and moving passion, in a natural uncontaminated and innocent atmosphere and humanity which clearly represent the artistic experience of the composer. The charming staging by Hugo de Ana, at the Teatro Lirico di Cagliari goes back to January 2007. Through fascinating tableaux vivants, references to 17th century Romantic painting and refined visual projections, it is a tribute to Luchino Visconti. Visconti produced the memorabile performance of Sonnambula in March at the Scala di Milano with the magnificant Maria Callas....