Querelle de matelassières 1898 streaming

When a young female mouse makes a deal with the devil to become a rock star and learns the price, her boyfriend has to help her avoid damnation....

The Devil of Comparisons (original title: El Demonio de las Comparaciones), was a 30-hour black & white silent film from 1929 by Narding Salome Exelsio (1883-1949). It explores the cyclical lives, deaths, and rebirths of Jose Rizal and his characters (played by hitherto unidentified actors) in a wasteland ruled by demons....

A Boy Notices His Floor Has Eyes And Is Watching Him....

Your worst nightmare and the many faces of fear from the minds of Von Hohenzollern and Montebubbles a trip as only could be done with the use of VR to give you and augmented reality that only the viewer could create as they watch it on the screen in front of them....

Rhapsody in Two Languages is a city symphony film reminiscent of the work of Walter Ruttmann and Dziga Vertov, a paean to '30s Montreal that contrasts old and new: horse-drawn carts, flashy new automobiles, busy streets, jaywalking monks, and wild nightlife, with overlaps and spinning images that suggest just how out of control things could get when the sun went down....

To be attacked by a knife-wielding masked stranger in the dead of night could be a woman's worst nightmare or her darkest fantasy. But which is it? Both perception and reality are challenged in this taut contemporary thriller....

A precocious kitten wants to be a witch's familiar and must pass a test or she will forever be just simple cat, but the witch sees something in the kitten she does not expect....

A young girl grows endlessly, stumbles upon a liquid that releases the darkest sides of herself, and eventually dissolves into the music of the universe....

In front of television crews and thousands of spectators, Spaceship-1—commanded by Commodore Hardt, inventor of the powerful rocket fuel "Neotan-X"—blasts off on the first flight to the Moon....

Propelled by Claude Cloutier’s signature drawing style and absurdist humour, this animated short offers an overview of the evolution of life on Earth from rock to human, with some surprising twists in between....

Tender exploration of a disconnected relationship between a beautiful stage performer from China, who is trying to preserve her dignity, and a Malay motorcycle gangster, who clings on to their love hopelessly....

At the age of 21, Nicolás decides to get his first HIV test. The uncertainty about the disease will affect the relationship with his family and his sexual life during the weekend he awaits the results....

Focusing on the exercise by women of their right to bare their breasts in public, this film is an investigation into how prohibitions on female toplessness are grounded in fear of, and desire to control, the female body....

A half hour animated film for all the family based on the much-loved book written by Julia Donaldson and illustrated by Axel Scheffler. The Snail and the Whale is the much loved classic that shows us a restless young snail who has ambitions to travel the world. The other snails think she should stay put, but she puts out a call for a “Lift wanted around the world”. Eventually her call is answered by a great big grey-blue humpback whale! She sets off with him across the seas. On their journey the snail and the whale discover towering icebergs and far-off lands, fiery mountains and golden sands. The snail is delighted by the wonderful world around her, until she realises how small it makes her feel....

Following an introduction which establishes the social context of the film, ‘The Politics of Perception’ presents a one-minute promotional film advertising a popular Hollywood thriller. This section then repeats itself: a print is generated from the one-minute segment, then a print from the print, and so on as the image and sound slowly disintegrate with each new cycle, until the visual and sound information have completely evolved to white light and white noise. The most original film from the Northwest area. ‘The Politics of Perception’ explores conceptually the paradoxes of communication and the very nature of film itself, progressing from movie reality to its utter abstraction. A maddeningly stimulating work!...

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2014....

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016....

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016....

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016....

A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive....