Rigoletto 2010 streaming

The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play....

Among DVDs of "Hoffmann" currently available, this is the only one that even begins to stand comparison with the superlative Powell and Pressburger film (whose ideas it occasionally borrows). Olivier Py's baroque imagination, which sometimes leads him into self-indulgence and incoherence, is well suited to bringing out this opera's darkness and he does an excellent job...

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay....

Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus...

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot....

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies....

Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Luisa Miller incorporates the youthful vitality that had made Verdi an international sensation while also looking forward to the dramaturgical discipline and sophistication of those later works. In this Live in HD performance, soprano Sonya Yoncheva takes on the riveting title role, capping off a season in which she starred in three cinema transmissions. As her father, Miller, the legendary Plácido Domingo adds another baritone role to his extensive repertoire. Tenor Piotr Beczała as Rodolfo, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm round out the illustrious cast, and Bertrand de Billy conducts....

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira....

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus....

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The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich....

Live performance from Zürich Opera House, 2001. “Vesselina Kasarova’s Rosina turned this Barber into a major event. Pearling coloratura, endless resources of vocal colour and nuance and phenomenal acting versatility became mere means to an end: that of making Rosina into a human being of flesh and blood, with heart, humour and considerable brains....

Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan....

Renée Fleming stars in the title role of one of Handel’s greatest dramas, seen in Stephen Wadsworth’s 2004 Met premiere production. Rodelinda is faced with an impossible dilemma: With her husband Bertarido believed dead, she either has to marry the despised Grimoaldo (the elegant Joseph Kaiser), who has usurped her husband’s throne, or see him murder her son. But Bertarido (leading countertenor Andreas Scholl) is alive and eventually reclaims both throne and wife—and makes peace with his enemies. Stephanie Blythe is marvelous as Eduige, Bertarido’s sister, who is betrothed to Grimoaldo but turns against him. Baroque authority Harry Bicket conducts....

Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large....

David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne....

Jean-Marie Villegier's modern interpretation of Handel's "Rodelinda" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively....

Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions. A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'....

Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki....

This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment....