Carta a Boris 2015 streaming

After the plague, the famines have come, and a man expelled from the last habitable zone wanders the desert wondering if he'll ever see his son again....

Vi.sion is the product of an encounter between an expanding ballet troupe and an abandoned school with a marvelous theater, which was to be demolished to make way for a parking lot. It is the home of a place, imbued with memories of a rich and proud past, by the footsteps of a young troop. The time is getting confused. The present and the past blend together and it is the old school that dances with the passion and passion of young dancers. Ghosts, shadows, specters ... They bewitch....

The starting point of this film was a set of 35mm trailers acquired from various abandoned cinemas. This work reveals the veiled and forgotten images used by the commercial film industry....

The film draws an analogy between the cutting and suturing of the human body and the reconstruction of the world through film. Using optical printing techniques, it connects diverse elements in a dream-like flow: a vision of mind at play amid the anxieties of our society. It's also an operation on our image systems, including cinema....

HARD-CORE is a frank and irreverent documentary that asks the question, "what is hard-core?" Seedy, grainy, and fast-paced, this is a nostalgic look at an ephemeral moment in the history of a subculture: punk rock in San Francisco in the late eighties. Everyone from fucked-up teenagers to elderly Mexican tourists attempts to explain the allure and mystique of the scene. Filmed at SF's historical petting-zoo/theater/punk rock emporium The Farm....

"Like Los Ojos, Glass Face shows off Beydler's more whimsical side, but his consistently fresh approach to the transformation of still frames into motion pictures is nevertheless on its usual breathtaking display here. This time, the material being animated is the filmmaker's own face, resulting in a truly strange and funny example of self-punishment as self-portraiture." - Mark Toscano...

"Leiberg embarks on a search for the interaction between painting and improvised music, tinkering with sound collages sets language and sounds against each other (...) Leiberg works with real-movie sequences and uses his pictorial color and form vocabulary as a design element in the film. He primarily uses the resulting films in their capacity as a depot of moving light images in order to project them onto the bodies of dancers in the performances. (Christoph Tannert in "Gegenbilder", p. 39f;)...

Bill struggles to put together his shattered psyche, in this feature film version of Don Hertzfeldt's animated short film trilogy....

An ambient representation of depression with a slowly fading score building towards an uncertain climax....

This surreal animated short depicts an impossible synchronized dive....

The Island is a short film shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics. The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement....

Fixed and symmetrical shots make up the world where a beast wanders into the different stages of a scientific testing that has been exposed to. Human figures appear in harmless and impersonal spaces where they modify the animal biologically, without uttering words. Nowadays, man only seems to move around a constant improvement, a search for improving the nature that surrounds us, thinking about the possibility to taste a celestial candy....

Shot at high noon in New York’s financial district, Wallstreet is much like a vertical tickertape, charting the existence of typical office workers. The film’s elongated shadows suggest these workers’ depersonalized, neuter, nearly uniform lives, which flow by without any solid or stable element that might provide definition....

Vertiginous documentary, shot in effective black-and-white, treats two painful histories. The first is a love story about a truck driver who, on his way from Johannesburg (South Africa) to Luderitz (Namibia), is haunted by thoughts of his girlfriend and their recently severed relationship. His memories are expressed in an often recurring scene, in which songs by Alec Empire, Macy Gray and Robert Schumann roughly tell the story. This small history is alternated with the tragic fate of the Namibian Heroro people, many thousands of whom died early last century in concentration camps that had been set up by the German colonisers near Luderitz. The depiction of this history is cruder and more poignant, with slanting frames, odd camera angles and a multi-layered sound sculpture. The dilapidated barracks and officers' quarters are the last remnants of the miscarried, so-called civilisation projects in Africa....

A little girl's marbles lead to a fascinating journey and opens up lots of new perspectives on the everyday surroundings....

The surreal film Newscaster/Dragon/Maggots is a transmission of what lurks in between the channels. This is a rotoscoped piece of animation created from three randomly selected pieces of found footage. The foundation of this piece is based in mathematics, chance and montage editing measured in increments of triangular numbers. After the Formalist groundwork was laid, elements of Surrealism were employed to take the film beyond the initial framework of the metric and rhythmic editing process. The pixels were playfully manipulated and melded together into an entirely new form, backed by a noise composition set into place without regard for pacing, only duration. Music by legendary noise musician Merzbow. Read more at http://gatewaycinephile.com/blog/2013/7/10/interview-with-chris-sagovac....

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The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air....

An abstract work featuring three dancers, the performers interact with large screens as well as each other. Included in Shirley Clarke’s Four Journeys Into Mystic Time, costuming and color play an integral role in this piece....

A film which, by the use of a simple camera movement, explores and reviews some relationships to the ground. The viewpoint continuously orbits places, objects, people and events. The observations gradually speed up to reveal a double sided ground flipping like a tossed coin, then slow again to oscillate about the earths edge....