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A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance....

Presents selections from the major works of choreographer Alvin Ailey as performed by his City Center Dance Theater to background music ranging from modern blues to classical music to traditional spirituals. The choreography is a reflection of the many varied influences in Alvin Ailey's life, influences that are both seen and felt through the vivid performance of the company, which includes the world-renowned artist Judith Jamison....

Portrait of Lester Horton, a Los Angeles-based dancer, choreographer and teacher who trained many world-reknowned dancers and built the first American theater devoted permanently to dance. Former students and friends, including Bella Lewitzky, Alvin Ailey, and Carmen de Lavallade, help create a picture of Horton through interviews. Includes numerous dance excerpts....

A film that immerses its audience in subjective states of consciousness they might experience when they die, imagining what they can see and think and hear in a seamless but fragmentary flow of poetic images, words and music. The viewer undertakes a journey into their own interior world of dreams and projections in which time and space, and cause and effect logic, are turned on their heads. Text Messages from the Universe is inspired by The Tibetan Book of the Dead, a text which guides souls on their journey of 49 days through the 'Bardo', or intermediate state, between dying and rebirth....

Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection....

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line....

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."...

While most of Ken Russell's documentaries for the BBC's Monitor arts strand focused on a single creative figure, he would also occasionally make more wide-ranging surveys of the state of a particular art. The Light Fantastic (BBC, tx. 18/12/1960) was written and presented by Ron Hitchins, a Cockney barrow boy who has long been interested in a great many dance forms, and who has recently taken up Spanish dancing. Hitchins participates in some of the dance sequences, but his main contribution is an enthusiastic commentary that helps personalise what could have been simply a disparate collection of dance footage. He's not shy about expressing likes and dislikes, being none too keen on ballroom dancing (too choreographed), rock'n'roll (too monotonous) and Morris dancing (just doesn't like it), though anything genuinely spontaneous gets a thumbs up, even if it's a room full of people dressed in black swaying to the sound of a gong....

A dance performance salute to choreographer-dancer Lester Horton with Alvin Ailey, Carmen de Lavallade and James Truitte, all former members of his company. They perform various works by Horton....

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed....

A professional dancer struggles with his cravings for human flesh until his 'hambre', or hunger, becomes all encompassing. Accepting his status as an apex predator in human form, he fully embraces his life as a carnivorous hunter....

A mockumentary focusing on an art school frat's attempt at recording a music video for their latest party anthem with unwanted dancers and an unruly director....

An experimental animation for "One of These Days" by Pink Floyd....

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play....

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Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes....

We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence....

Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009....

The grandmother figure in the story is an “artistic speaker” who performs in town but seems enigmatic to her own granddaughter. Over the course of the narrative, the granddaughter realizes that, far from succumbing to despair in old age, her grandmother is full of “young laughter that has found its way back to an old body.”...

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