Mais a soma de seus possíveis: parte 2 2020 streaming

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up....

Experimental color film that shows a magician and his assistant making objects and people appear and disappear. Then they stack up some blocks and a moving picture of a little girl appears on them....

Entertaining Dadaist experimental short, similar to Man Ray's work, full of shifting geometric shapes, stock footage of seagulls, flying eyeballs, and glaring floating heads....

7 is a concert film of the Norwegian band supersilent. Recorded in Oslo in August of 2004, it is the first video release by the band after four records (1-3, 4, 5, 6), all released on Norway's Rune Grammofon label. This is completely improvised music, sometimes very noisy, sometimes very quiet and ethereal, and always very beautiful....

Originally made for the 100 Feet Film Festival hosted by Image Forum. However, to test the limits, Terayama Shūji willfully made use of 3 projectors to project 300 feet of film at the same time....

Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time....

The smallpox virus has created its own unique atmosphere in Terayama’s film where the skin of a bandaged adolescent and the surface of the filmic image are subjected to a bizarre ‘disturbance’ as snails cross the screen and nails are hammered into the skull of the ailing patient. Illness in this film is as much a psychic entity as a physical one and manifests itself in an array of theatrical tableaux from grotesque women rigorously brushing their teeth to a snooker game where the players in white face makeup behave like automata. A Tale of Smallpox uses a medical theme to chart the traumatic dream life of Terayama’s times, evincing deep-rooted concerns in the Japanese national psyche that hark back to the upheaval of Meiji modernisation and the devastation of World War Two....

Visions of characters by the seaside from one's memory are erased by the filmmaker's hand....

Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension....

As a family goes on with their day, the shadows on their walls lead a completely different life....

In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images....

Three showgirls playfully mock the audience for attending a projection of an art film....

A naval officer makes love to his wife while his son, the director of the film, watches them....

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama....

For the production of this film, Oskar Fischinger tinted various layers of hot wax. After cooling, the resulting lump of wax resembled a marble cake. Fischinger then began to cut off slices from the lump, photographing each step....

An experimental short featuring people and nails....

This way madness - or experimental filmmaking - lies. A solitary man in coat and tie enters an apartment. It's midnight. He appears agitated and distraught. He throws a glass of water in his face and laughs. He takes off the coat and tie. His moods swing. He stares at a light bulb. He removes his shirt. He lights a cigarette. He looks at a book. He does something drastic and self-destructive. He opens doors to a garden....

An unknown observer is seen traveling through a bleak corridor. At the end of the corridor they see a naked woman, whom they are unable to reach as their trip seems to become increasingly twisted and looped....

This meditation takes its visual imperatives from the occasion of Mesa Verde....

This film, photographed in London, is an exploration into the depths of unconscious reactions....