Still Life #02 2018 streaming

Works with sound recordings of Dion McGregor, who became famous for talking in his sleep....

Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio....

"This film was part of my thesis presentation at Chelsea College of Art in 1969. It expresses my interest in the human form and how two human forms can come together in various ways. My morphology teacher was also a dancer and he is the one in black moving with the white me in the cube. The film also includes photos I took, a number with multiple exposures, and drawings I did from the photos and from the work of Eadweard Muybridge, whose studies in motion inspired me." - Penny Slinger...

"A film featuring my work as shown in my 1969 diploma exhibit at Chelsea College of Art. It explores my Mummy Case, then the series of works that are based on a model’s image reflected in a series of mirrors. It shows the game I created where the pieces are glass and mirror geometric forms, moved in relation to each other on three layers. Finally the film passes through some of the Headbox sculptures and Face prints I made, using lifecasts and photographs of my face." - Penny Slinger...

"From the 1969 exhibition, Bride in the Bath is shown in its sculptural form – a life cast of a model's body lying back in a bath and draped in black silk coated in resin. The footage is cut with film I shot of a model lying back in a bath in which black, then white ink is poured. The final images are shot in color from the position of looking down on oneself in the bath and reflected back in a mirror. All are part of my exploration of the female body in water, the body in the bath." - Penny Slinger...

"In this experimental film from 1969 the seeds are seen of my exploration of the mouth motif, which reached its full expression in the ‘Opening’ exhibit of 1973. I blow on and kiss a mirror, I apply lipstick, I transform into a white statue and paint blood red lips… then I become a mask in a distorted mirror, a face with many lips…In the last sequence I circle my face with a light and transform into the mask." - Penny Slinger...

"1969 period. In the beginning of this experimental film a figure in white ascends spiral staircases and escalators and moves away from the camera down endless tunnels and corridors. A model in a black leotard is painted white, turned into art. Another is filmed as she ascends to a rooftop, then confronts herself in a mirror in a corner of a room. As Alice went through the glass, so in the last section there are two women reflecting each other instead of just the one." - Penny Slinger...

"This film was presented as part of my 1969 thesis on Max Ernst. It was a personal tribute where I filmed his collages, then intercut live footage I shot with other reference material into a surreal visual collage." - Penny Slinger...

Cinematography in allegory. Film is dedicated to the memory of Svyatoslav Valov, the director of documentary films and Kobrin’s colleague....

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch....

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»...

The Futurist is a condensed experience of film viewing, a single 360 degree animated shot in an empty 1920’s cinema where the sound becomes a cacophony of past projections and the aural experience is closer to that of the projectionist than the audience....

A meditation on freedom and technological approaches to manifest destiny....

A film built solely of durations. Silent succession of black and white photographs reflecting nearly empty streets from the city of Montreal. According to Michael Snow, the project began with a request from the Montreal's city council in order to place some sculptures in public spaces. The photographs in the film are the same that he took to plan their installation....

The desert East of L.A. is a land of fractured time, rotting nostalgia, and esoteric energy. Out here, we’re all ghosts....

A film by Jenny Triggs, based on the novel of the same name by Samuel Beckett. This film animates body parts, chess pieces and mechnical motifs as life’s conveyor belt threatens to grind to a halt, but never does....

A slow cinema and remodernist inspired piece expressing the monotony of the unavoidable perpetual daily routine and how creativity can diminish, flourish and liberate within this, realised only during moments of clarity in the endless storm....

In The Watchmen, pulsating orbs, panopticons, roadside rest stops, and subterranean labyrinths confront the scope of human consequences and the entanglement of our seeking bodies....

H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?...

A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months....